WEBVTT
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I walk straight line.
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Shackle change, Oh weesome, gird, it's calling my name. There
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is no mercy and it's been a tentery juice as
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the hill stream game Wrangle three, I'm here but by
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mere to die inside these walls, inside the wild and
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went no girls.
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I Hey everyone, and welcome back to Bloody Angola, a
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podcast one and forty two years in the making, the
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complete story of America's bloodiest prison. I'm Jim Chapman, and look,
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today I am going to open your eyes, maybe a
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little bit, to the horrors for lack of a better word,
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of what it is like to die in prison and
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Angola specifically, be bare read there, what happens to you
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and what happened back in the past before Bloody Angola
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was bloody Inngla and it was still a slave plantation
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just starting to grow. I guess you could say it's
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prison roots. So that's what we're going to talk about today.
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And what got me thinking about this was an article
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that I read from Wilbert Rido and of course I've
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talked about him in the past. Did a full episode
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on Wilbert Rideau, certainly the best author and writer to
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ever come out of Angola, but one of the best
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authors of all time in my opinion, whether he was
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in prison or not. So I'm going to read you
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that article that he wrote, and it's going to give
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you an idea of what this is like in a
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way that only Wilbert Rideau paint it. And it reads.
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It was a nice spring morning, with a soft breeze
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rustling the leaves of the tall trees, but its beauty
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was lost upon a handful of the maids who had
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just finished digging a deep, rectangular hole that would be
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the final resting place of James Crepps number seven six
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zero six ' nine. Laying their shovels aside the grave,
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diggers inspected their work. They had done a good job.
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The hole was deep and the sides were smooth and
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even tired and dirty. They loitered around the grave, chatting
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as they waited for the scheduled funeral to take place.
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It wasn't what they wanted to be doing, but it
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was better than working in the field. A few prison
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officials arrived, soon followed by the warden. Then a yellow
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school bus pulled up on the side of the road
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directly across from the burial site. Some two dozen inmates,
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all trustees, filed out of the bus. Slowly. They began
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to wander through the cemetery, exploring it with a wide
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eyed fascination and calling out to each other in odd
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voices as they were recognized for many names of former
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inmates on some of the tombstones. Point Lookout was a
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place they had all heard about throughout their imprisonment, but
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one that most were seeing for the first time, in
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a significant departure from the typical prison funeral normally attended
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by only a chaplain, the undertaker in one or two officials,
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and the grave diggers. The warden had granted the request
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of the prisoners, all friends of Krups, to attend that funeral.
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Murmuring voices signaled the arrival of a black hearse, which
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pulled up alongside the road in front of a grave
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and stopped. The driver conferred briefly with Warden Ross Maggio
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and Chaplain Gary Pitton. Maggio turned to the waiting inmates,
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give me six of y'all to serve as pallbears. Six
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inmates moved forward, took hold of the coffin as it
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was slid out, and slowly walked the short distance to
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the grave. The chaplain led the procession, with the warden
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bringing up the rear. Two inmates carried Flora Reese, purchased
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by the inmate organizations. The typical prison funeral had no reas,
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but Cripps have been popular. He was well liked by
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the inmates. The coffin was placed on the wood planks
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above the grave, and the pallbearers stood on each side
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in a strict formation. It was a cheap, beige coffin
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made of some synthetic material that looked unmust like wood.
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Someone had written head across one end of it with
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a mark a lot so people would know the difference.
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Penton stepped to the head about his head and began
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the service by announcing to the gathering that Crypp's mother
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was an aging and seriously ill lady who wanted them
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to know that her son was not being buried in
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the prison cemetery because he was unloved, but because she
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was financially unable to bring him home and have him
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buried near her. She would have liked to have attended
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the few funeral service, Penton told the gathering, but was
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too poor and ill to make the trup. She requested
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that the thirty third Psalm be read over. Her son,
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Maurice pop Bickham, stepped beside the chaplain at the head
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of the grave. He was normally a spry man who
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moved about pretty well. Despite his sixty seven years of age,
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Bickham moved with a slowness that mirrored his depression. He
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had been a prisoner for the past twenty six years
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and had been a close friend of Crupps. He first
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met Crups on death Row, where they had spent many
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years awaiting the execution that never came. When the US
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Supreme Court spared the nation's condemned prisoners with its nineteen
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seventy two ruling that the death penalty as administered violated
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the Eighth Amendment, they joined the prisoner's regular populations to
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serve life sentences. The Lord is my shepherd. I shall
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not want he maketh me lie down. Faltered as he
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read the passage from the Bible. The words soon blurred
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from tears that filled his eyes. He continued to recite
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from memory, fighting the anguish that stirred in his gut.
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He and Crips had struggled for many years for a
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freedom that neither had realized they had been through a
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lot of good and bad experiences, had slept only a
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few beds away from each other, and now he had
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to read the Psalm over his friend. It unleashed his
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own fears of death and dying in prison. Though I
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walk through the valley of the shadow of Death, I
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will fear no evil. With the Psalm read, the chaplain
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asked another prisoner to lend a song to the occasion.
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Warren Lewis stepped forward and began, Here I stand before
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your throne. His strong voice filled the hush stillness of
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the cemetery. I stand at your throne, Oh God, plead
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my case, Oh Lord. Following Lewis's solo of the other
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inmates were invited to step forth and say whatever they
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wished about the man they had known. Crips was born
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and reared in rural Michigan and was an only child.
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While living in New Orleans, he and a traveling companion
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murdered a man, and in nineteen sixty eight he found
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himself under a death sentence. After his death sentence was
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set aside, he was resentenced to life imprisonment in nineteen
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seventy three. He adjusted well to prison life despite its
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then violent nature, and according to prison officials, he was
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never a disciplinary problem. Like so many lifers, Crips tenaciously
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clung to the dream that he would one day regain
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his freedom, but since he was poor and essentially alone
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in the world, it was a lonely struggle. With his
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mother living so far away, he rarely received visitors, except
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for a male religious adviser who occasionally came by to
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see him. For a long time, he worked in the
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prison's print shop, A tireless worker who rarely complained. He
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was always cooperative and willing to do whatever he could
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to help others. A sports enthusiast, he rode the animals
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in the annual prison radio for several years. He also
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played softball and football, once even playing on an otherwise
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all black softball team and earning the moniker the White Shadow.
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Several months before his death, Crips was transferred to the
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main prisons maintenance crew, but something was physically wrong with him.
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He didn't know what it was. He started losing weight
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rapidly and was finally admitted to the prison's infirmary. Over
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the next month, he was admitted several times to the
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hospital in Baton, Rouge and New Orleans, and he died
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in New Orleans Charity Hospital of heart disease. He was
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thirty seven. At the end of the service, the pawbears
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lowered crips into the ground. The men picked up small
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clods of dirt and through them atop the coffin in
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a farewell gesture. As mourners departed the grave, diggers immediately
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began shoveling dirt into the hole. The dry, hollow sound
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of the dirt hitting the cheap coffin unnerved pop Vickim,
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and he looked back as he climbed onto the bus
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Point lookout is the prison's barrier ground, its cemetery, located
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a short distance from the prison's employee residential area. The
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cemetery is nestled among a forest of pine trees. A
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paved road runs in front of it, across from which
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is a dilapidated horse form for employees. A deep gully
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runs behind it, separating it from a thick wooded area
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where some of the employees hunting dogs are pinned. It
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is a quiet and tranquil place. It's silence interrupted from
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time to time only by the wishing sound of a
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passing car. Clusters of sweet gum and oak trees dot
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the well tended lawn. The graves are laid out in
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scattered clusters toward the front. Seven rows of two hundred
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and ninety six white concrete tombstones stretch out across the
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entire width of the cemetery. On a few of the stones,
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names or names and numbers appear, but most only carrying numbers.
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In the past few years, the prison administration has tried
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to bury the dead in a uniform manner and has
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attached little white metal tags with the deceased name and
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number to those headstones. Point Lookout is not a typical cemetery.
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No one goes there except to clean the grounds or
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to bury another prisoner. There are no visitors. Prisoners are
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not permitted to go, Employees generally have no reason to visit,
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and since those buried there are dispossessed and unclaimed, there
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are no friends or relatives to come and lay out flowers.
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Even if there were, Bickam points out, they would have
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to make special arrangements to enter the prison and visit
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that grave. If they're poor and they lack transportation, the
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prison is too remote for regular visits. There's no way
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in the world that someone can catch a ride with
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somebody all the way to Angola, be dropped off at
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the cemetery, and then catch a ride all the way
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back to where they came from. Pop Bickham told the
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Angelite people can do that at cemeteries in the free world,
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but not way up here. You'd have to find someone
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coming to Angola in the first place just to catch
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a ride. And Bickham knows about such matters. He spent
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over two years working as an attendant at the cemetery.
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As long as I worked there, he said, not one
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person visited anybody in that cemetery. Bickham is right about
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the world forgetting about those buried there. Except for the
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recent burials, prison officials can tell little to any inquirer
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about the dead at Point Lookout. In fact, while there
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were two hundred and ninety six tombstones, Assistant Warden Peggy
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Gresham pointed out that it seemed inconceivable that given the
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number of deaths which have occurred over the years here
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at in Goola, there are not more people buried at
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Point Lookout. Prisoners were first sent to Angola in eighteen
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sixty nine after the state leased out all its convicts
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to Major Samuel Lawrence James to ease the financial burden
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of housing them. One of the first moves by James
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was to transfer state prisoners from the penitentiary then located
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in Baton Rudge to his Ngola cotton plantation. James had
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huge ambitions about how best to utilize inmate labor to
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make money. For the next twenty five years, he operated
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the most profitable and brutal enterprise in the history of
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the state of Louisiana, often violating state laws in the
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terms of his contract. While less prior to the Civil
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War had used inmate labor in its manufacturing operations within
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the prison facility, James knew there were enormous profits to
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be made by taking inmates out of the prison, and
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while he started with only a couple of one hundred inmates,
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he used them on the Mississippi River levees and railroad construction,
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as well as other farms and plantations, utilizing brute force
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to maintain the discipline and productivity. The result was a
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living nightmare for the convicts, but an empire for James.
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In a matter of months. During the first year, James
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made a half million dollars which was a king's fortune
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in those days. But by the eighteen eighties the least
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system began to receive public criticism, which grew louder as
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the Major and his subcontractors continued to work, mutilate, and
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kill prisoners throughout Louisiana. In eighteen eighty six, a newspaper
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in Clinton, Louisiana described what was by then common knowledge
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when it stated that the men on James' works are
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brutally treated, and everybody knows it. They are worked mostly
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in the swamps and plantations, from daylight to dark. Corporal
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punishment is inflicted on the slightest provocation. Anyone who has
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traveled along the lines of the railroads that run through
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Louisiana swamps in which the levies are built, they have
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seen the poor devils almost to the waste in the
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black and noxious mud. C. Harrison Parker, editor of the
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New Orleans Daily. Picky Un, a leading critic of the
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horrors inflicted upon the prisoners by James, asserted that it
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would be more humane to execute anyone sentenced to more
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than six years in james Lee system, because the average
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convict didn't live that long anyway. In eighteen ninety state
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representative C. W. Seals of Clabne Parish also condemned James
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in his brutal system, charging on the floors of the
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house that the death rate is about four times as
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great in proportion to the number of convicts as the
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death rate is in any penitentiary in the United States.
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Joseph Ransdell, a North Louisiana attorney who would later become
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a US Senator, stated in a trial in eighteen ninety
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eight that a friend had told him that he had
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seen forty two convicts buried at one camp in either
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eighteen eighty five or eighty six, and the deaths were
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nearly all caused by overwork, exposure, and brutality. James kept
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his books closed from the public and official scrutiny, and
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there was no official reports from the prison for the